A Country Divided

By coincidence, two pieces of media I recently consumed simultaneously scared the shit out of me (sorry for the cursing, mom, but it’s true). It’s no secret that I’m scared and furious at our current administration and spend most mornings reading the paper while rolling my eyes at their latest lies. No one can know what will come out of this presidency, but a new book and a new TV show do their best to show how a divided country can lead to ruin.

I’m surely not the first person to talk about either of these, but I would recommend not consuming them at the same time because it truly meant a lot of dreary, negative thoughts for me. American War takes place in the latter half of the 21st century (around 2075-2095) in a United States fighting a Second Civil War, with most of the coasts (and Florida – sorry, Florida) flooded due to climate change and the southern states fighting for the right to use now-illegal fossil fuels. As I read this book, I also started watching The Handmaid’s Tale on Hulu. I’m sure there is no need for me to summarize it here, but to be brief it shows a United States that has been toppled by a theocracy and places women in subservient roles in which the “fertile” ones are ceremoniously raped on a monthly basis by high-level men in hopes of producing more children.

So, yeah. As far as The Handmaid’s Tale goes, I’ve been too horrified to watch more than one episode so far, but all signs point to it being an incredible show – at least, incredibly written, directed, and acted; incredibly scary to watch and consider how this could become reality.

As for the book, I am the Cutthroat Reader after all…

WHAT I READ:

American War (Omar Al Akkad)

SNAPSHOT REVIEW:

On a scale of 1 to 5 rebel states, I give this 4 assassins.

GOODREADS SYNOPSIS:

An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself.

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be.

Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.

HOW IT MADE ME FEEL:

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To be perfectly frank, I really gave this book 5 stars for concept and 3 stars for execution. As stated above, I love the idea of the book, but found myself at times interested and at times bored by the actual writing. Setting this book up in vignettes had some unfortunate flaws. We see life in pre/mid war border states; life in a refugee camp; a bit of life as a sniper for the rebels; a bit of life in prison; and a bit of life afterwards. But with these bits I never got a full picture of the countries, the war, or life for everyone, and most of it was a bit slow. We are tracing Sarat’s evolution into the North-hating person she becomes, but even with the intense eye focused on her, I didn’t get why she was quite so filled with hate.

I devoured the book and still recommend to others – but I suspect the topic of the book and its timelienesss will elevate it a tad more than it really should be.

Even though I didn’t love American War, I still think this book and The Handmaid’s Tale should be required viewing and contemplation for everyone. A book I was reading this morning struck me with the following line (discussing living as a gay man in modern America):

But you know we’re always going to have to rely on the goodwill of those of you who are straight for our survival. And that’s the damned truth.

This sad and beautiful line keeps sticking in my mind. It’s incredibly true for all marginalized communities – essentially anyone who isn’t a white, cis, straight, white wealthy male in America. The LGBT community, immigrants, lower class, women, non-Christians, etc etc – and all intersections of those groups – are just holding our breaths and crossing our fingers that those in power allow us to hold on to (or obtain) basic human rights like equal marriage, liberty, and the rights to our bodies. And the message of what could happen if those rights are taken away are perfectly captured in these two pieces of art.

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